Taller de Escultura: agosto 2010

miércoles, 25 de agosto de 2010

Liao Yibai

Liao Yibai

Top Secret Hamburger (large), 2009. de acero inoxidable, 37x 66 x 66 in

http://www.thenumber4.com/blog/?p=597
egos

Phillip King

Phillip King

born 1934

Red Erect, 1998. acero y aluminio, 90 x 95 x 55 cm

https://www.tateetc.com/servlet/ArtistWorks?cgroupid=999999961&artistid=1411&page=1

egos

William Tucker

William Tucker Eva (2000) de bronce, 92 pulgadas x 60 x 64, y Vishnu (1994) de bronce, 84 x 65 x 66 pulgadas.

http://www.artcritical.com/DavidCohen/SUN160.htm

egos

Jean Tinguely - Méta-Harmonie II

Cal Lane

Cal Lane
“Fossil Fuel” Plasma cut oil tank, 5 feet x 5 feet x 1 foot 5 inches. 2009

http://www.callane.com/

egos

Michele Oka Doner

Strider, 2008
vaciado en bronce
72x25x29.5pulgadas

Salacia, 2008

vaciado en bronce
77x27x32pulgadas

Angry Neptune, 2008
vaciado en bronce
77x26x29.5pulgadas

http://www.micheleokadoner.com/

egos

moholy nagy "light space modulator"

George Sherwood

George Sherwood

Escultura Cinetica
Chameleon 2007
Acero inoxidable
108x48x48 pulgadas
274x121x121 cm
Coastal Maine
Botanical Gardens
Boothbay, ME

http://www.georgesherwood.com/

egos

Gloria Kisch

STANDING IMMORTAL FLOWERS FROM LEFT TO RIGHT

I - II - IV - III
79x28x28 - 63.25X20X20 - 79.5X22X22 - 75.75X31.25X31.25
Lamina inoxidable, soldado - 2007

http://www.gloriakisch.com/

egos

Anish Kapoor

Anish Kapoor.

Memory ,2008. de acero Cor-ten, 14,5 x 8,97 x 4,48 metros

http://www.anishkapoor.com/

Julia Stiepani

Kader Attia

Kader Attia (French, 1970)

Ghost, de 2008. El papel de aluminio, moldes de tamaño natural de cuerpos de mujeres, Vista de la instalación

http://www.saatchi-gallery.co.uk/artists/kader_attia.htm?section_name=unveiled

egos

Richard Serra

Richard Serra

"Snake"

1996

de acero resistente a la intemperie, seis elementos curvos, cada uno: 13 pies x 52 pies 2 pulgadas (13 x 104 metros en total)

Instalado en Dillinger

Huettenwerke, Dillingen, Germany Photo by Dirk Reinartz, Buxterhude

Courtesy Gagosian Galelry, New York

"As the work becomes more extensive and I had a need to walk into and through and around it, then you get involved with what effect the work has physically on your body as you walk. So, time and movement became really crucial to how I deal with what I deal with, not only sight and boundary, but how one walks through a piece and what one feels and registers in terms of one's own body in relation to another body."

- Richard Serra

http://www.pbs.org/art21/artists/serra/index.html#

Julia Stiepani